Monday, November 26, 2007

art graceful oil painting

art graceful oil painting
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¡¡¡¡Every window of the house being open Clare could hear across the yard each trivial sound of the retiring household. That dairy-house, so humble, so insignificant, so purely to him a place of constrained sojourn that he had never hitherto deemed it of sufficient importance to be reconnoitred as an object of any quality whatever in the landscape; what was it now? The aged and lichened brick gables breathed forth `Stay!' The windows smiled, the door coaxed and beckoned, the creeper blushed confederacy. A personality within it was so far-reaching in her influence as to spread into and make the bricks, mortar, and whole overhanging sky throb with a burning sensibility. Whose was this mighty personality? A milkmaid's. ¡¡¡¡It was amazing, indeed, to find how great a matter the life of the obscure dairy had become to him. And though new love was to be held partly responsible for this it was not solely so. Many besides Angel have learnt that the magnitude of lives is not as to their external displacements, but as to their subjective experiences. The impressionable peasant leads a larger, fuller, more dramatic life than the pachydermatous king. Looking at it thus he found that life was to be seen of the same magnitude here as elsewhere. ¡¡¡¡Despite his heterodoxy, faults, and weaknesses, Clare was a man with a conscience. Tess was no insignificant creature to toy with and dismiss; but a woman living her precious life - a life which, to herself who endured or enjoyed it, possessed as great a dimension as the life of the mightiest to himself. Upon her sensations the whole world depended to Tess; through her existence all her fellow-creatures existed, to her. The universe itself only came into being for Tess on the particular day in the particular year in which she was born.

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