Friday, May 30, 2008

Monet General View Of Rouen From St Catherine s Bank painting

Monet General View Of Rouen From St Catherine s Bank painting
Monet Haystack snow effect painting
Monet Haystacks At Chailly painting
Monet Haystacks at Giverny the evening sun painting
Tom joined the mob of skylarking scholars outside. In a few moments the master arrived and school "took in." Tom did not feel a strong interest in his studies. Every time he stole a glance at the girls' side of the room Becky's face troubled him. Considering all things, he did not want to pity her, and yet it was all he could do to help it. He could get up no exultation that was really worthy the name. Presently the spelling-book discovery was made, and Tom's mind was entirely full of his own matters for a while after that. Becky roused up from her lethargy of distress and showed good interest in the proceedings. She did not expect that Tom could get out of his trouble by denying that he spilt the ink on the book himself; and she was right. The denial only seemed to make the thing worse for Tom. Becky supposed she would be glad of that, and she tried to believe she was glad
-199-of it, but she found she was not certain. When the worst came to the worst, she had an impulse to get up and tell on Alfred Temple, but she made an effort and forced herself to keep still -- because, said she to herself, "he'll tell about me tearing the picture sure. I wouldn't say a word, not to save his life!"

Perez sttabladoflmcoii painting

Perez sttabladoflmcoii painting
Perez Study Catalina Window painting
Perez study for 3 girl 2 painting
Perez study for 3 girl painting
Tom decided that he could be independent of Becky Thatcher now. Glory was sufficient. He would live for glory. Now that he was distinguished, maybe she would be wanting to "make up." Well, let her -- she should see that he could be as indifferent as some other people. Presently she arrived. Tom pretended not to see her. He moved away and joined a group of boys and girls and began to talk. Soon he observed that she was tripping gayly back and forth with flushed face and dancing eyes, pretending to be busy chasing schoolmates, and screaming with laughter when she made a capture;
-185-but he noticed that she always made her captures in his vicinity, and that she seemed to cast a conscious eye in his direction at such times, too. It gratified all the vicious vanity that was in him; and so, instead of winning him, it only "set him up" the more and made him the more diligent to avoid betraying that he knew she was about. Presently she gave over skylarking, and moved irresolutely about, sighing once or twice and glancing furtively and wistfully toward Tom. Then she observed that now Tom was talking more particularly to Amy Lawrence than to any one else. She felt a sharp pang and grew disturbed and uneasy at once. She tried to go away, but her feet were treacherous, and carried her to the group instead. She said to a girl almost at Tom's elbow -- with sham vivacity:

Perez Nocturnal Suprise painting

Perez Nocturnal Suprise painting
Perez outside lasbrujas painting
Perez paola in bed painting
Perez paola on the couch painting
Would you, Tom?" said Aunt Polly, her face lightingwistfully. "Say, now, would you, if you'd thought of it?"
"I -- well, I don't know. 'Twould 'a' spoiled everything."
"Tom, I hoped you loved me that much," said Aunt Polly, with a grieved tone that discomforted the boy. "It would have been something if you'd cared enough to think of it, even if you didn't do it."
"Now, auntie, that ain't any harm," pleaded Mary; "it's only Tom's giddy way -- he is always in such a rush that he never thinks of anything."
"More's the pity. Sid would have thought. And Sid would have come and done it, too. Tom, you'll look back, some day, when it's too late, and wish you'd cared a little more for me when it would have cost you so little."
"Now, auntie, you know I do care for you," said Tom. "I'd know it better if you acted more like it."
"I wish now I'd thought," said Tom, with a repentant tone; "but I dreamt about you, anyway. That's something, ain't it?"
"It ain't much -- a cat does that much -- but it's better than nothing. What did you dream?"

China oil paintings

China oil paintings
"I won't! You can all go, if you want to. I mean to stay."
"Tom, I better go."
"Well, go 'long -- who's hendering you."
Huck began to pick up his scattered clothes. He said:
"Tom, I wisht you'd come, too. Now you think it over. We'll wait for you when we get to shore."
"Well, you'll wait a blame long time, that's all."
Huck started sorrowfully away, and Tom stood looking after him, with a strong desire tugging at his heart to yield his pride and go along too. He hoped the boys would stop, but they still waded slowly on. It suddenly dawned on Tom that it was become very lonely and still. He made one final struggle with his pride, and then darted after his comrades, yelling:
"Wait! Wait! I want to tell you something!"
They presently stopped and turned around. When he got to where they were, he began unfolding his secret, and they listened moodily till at last they saw the "point" he was driving

Frederic Edwin Church paintings

Frederic Edwin Church paintings
Ford Madox Brown paintings
Federico Andreotti paintings
Fra Angelico paintings
next town below, presently; but toward noon the raft had been found, lodged against the Missouri shore some five or six miles below the village -- and then hope perished; they must be drowned, else hunger would have driven them home by nightfall if not sooner. It was believed that the search for the bodies had been a fruitless effort merely because the drowning must have occurred in mid-channel, since the boys, being good swimmers, would otherwise have escaped to shore. This was Wednesday night. If the bodies continued missing until Sunday, all hope would be given over, and the funerals would be preached on that morning. Tom shuddered.
Mrs. Harper gave a sobbing good-night and turned to go. Then with a mutual impulse the two bereaved women flung themselves into each other's arms and had a good, consoling cry, and then parted. Aunt Polly was tender far beyond her wont, in her good-night to Sid and Mary. Sid snuffled a bit and Mary went off crying with all her heart.
Aunt Polly knelt down and prayed for Tom so touchingly, so appealingly, and with such measureless love in her words and her old trembling voice, that he was weltering in tears again, long before she was through.

Thursday, May 29, 2008

Decorative painting

Decorative painting
"She is coming in the spring, and I mean that you shall be all ready to see and enjoy her. I'm going to have you well and rosy by that time." began Jo, feeling that of all the changes in Beth, the talking change was the greatest, for it seemed to cost no effort now, and she thought aloud in a way quite unlike bashful Beth.
"Jo, dear, don't hope any more. It won't do any good. I'm sure of that. We won't be miserable, but enjoy being together while we wait. We'll have happy times, for I don't suffer much, and I think the tide will go out easily, if you help me."
Jo leaned down to kiss the tranquil face, and with that silent kiss, she dedicated herself soul and body to Beth.
She was right. There was no need of any words when they got home, for Father and Mother saw plainly now what they had prayed to be saved from seeing. Tired with her short journey, Beth went at once to bed, saying how glad she was to be home, and when Jo went down, she found that she would be spared the hard task of telling Beth's secret. Her father stood leaning his head on the mantelpiece and did not turn as she came in, but her mother stretched out her arms as if for help, and Jo went to comfort her without a word.

John Everett Millais paintings

John Everett Millais paintings
James Jacques Joseph Tissot paintings
Jules Joseph Lefebvre paintings
Jean Auguste Dominique Ingres paintings
"Perhaps it was wrong, but I tried to do right. I wasn't sure, no one said anything, and I hoped I was mistaken. It would have been selfish to frighten you all when Marmee was so anxious about Meg, and Amy away, and you so happy with Laurie -- at least I thought so then."
"And I thought you loved him, Beth, and I went away because I couldn't," cried Jo, glad to say all the truth.
Beth looked so amazed at the idea that Jo smiled in spite of her pain, and added softly, "Then you didn't, dearie? I was afraid it was so, and imagined your poor little heart full of lovelornity all that while."
"Why, Jo, how could I, when he was so fond of you?" asked Beth, as innocently as a child. "I do love him dearly. He is so good to me, how can I help It? But he could never be anything to me but my brother. I hope he truly will be, sometime."

Cabanel Cleopatra Testing Poisons on Condemned Prisoners painting

Cabanel Cleopatra Testing Poisons on Condemned Prisoners painting
Cabanel Phedre painting
Cabanel Portrait Of Young Lady painting
Cabanel Fallen Angel painting
"Oh, Teddy, I'm sorry, so desperately sorry, I could kill myself if it would do any good! I wish you wouldn't take it so hard, I can't help it. You know it's impossible for people to make themselves love other people if they don't," cried Jo inelegantly but remorsefully, as she softly patted his shoulder, remembering the time when he had comforted her so long ago.
"They do sometimes," said a muffled voice from the post.
"I don't believe it's the right sort of love, and I'd rather not try it," was the decided answer.
There was a long pause, while a blackbird sung blithely on the willow by the river, and the tall grass rustled in the wind. Presently Jo said very soberly, as she sat down on the step of the stile, "Laurie, I want to tell you something."
He started as if he had been shot, threw up his head, and cried out in a fierce tone, "Don't tell me that, Jo, I can't bear it now!"
"Tell what?" she asked, wondering at his violence.
"That you love that old man."

Turner Dido Building Carthage painting

Turner Dido Building Carthage painting
Turner Rocky Bay with Figures painting
Bastida Alqueria Valenciana painting
Bastida El bano del caballo [The Horse's Bath] painting
Early as it was, he was at the station next morning to see Jo off, and thanks to him, she began her solitary journey with the pleasant memory of a familiar face smiling its farewell, a bunch of violets to keep her company, and best of all, the happy thought, "Well, the winter's gone, and I've written no books, earned no fortune, but I've made a friend worth having and I'll try to keep him all my life."
Whatever his motive might have been, Laurie studied to some purpose that year, for he graduated with honor, and gave the Latin oration with the grace of a Phillips and the eloquence of a Demosthenes, so his friends said. They were all there, his grandfather -- oh, so proud -- Mr. and Mrs. March, John and Meg, Jo and Beth, and all exulted over him with the sincere admiration which boys make light of at the time, but fail to win from the world by any after-triumphs.
"I've got to stay for this confounded supper, but I shall be home early tomorrow. You'll come and meet me as usual, girls?" Laurie said, as he put the sisters into the carriage after the joys of the day were over. He said `girls', but he meant Jo, for she was the only one who kept up the old custom. She had not the heart to refuse her splendid, successful boy anything, and answered warmly . . .

Reni The Boy Bacchus painting

Reni The Boy Bacchus painting
Reni St Joseph with the infant Jesus painting
Reni Atalanta and Hippomenes painting
Reni The Rape of Dejanira painting
, police records and lunatic asylums, had to be ransacked for the purpose. Jo soon found that her innocent experience had given her but few glimpses of the tragic world which underlies society, so regarding it in a business light, she set about supplying her deficiencies with characteristic energy. Eager to find material for stories, and bent on making them original in plot, if not masterly in execution, she searched newspapers for accidents, incidents, and crimes. She excited the suspicions of public librarians by asking for works on poisons. She studied faces in the street, and characters, good, bad, and indifferent, all about her. She delved in the dust of ancient times for facts or fictions so old that they were as good as new, and introduced herself to folly, sin, and misery, as well as her limited opportunities allowed. She thought she was prospering finely, but unconsciously she was beginning to desecrate some of the womanliest attributes of a woman's character. She was living in bad society, and imaginary though it was, its influence affected her, for she was feeding heart and fancy on dangerous and unsubstantial food, and was fast brushing the innocent bloom from her nature by a premature acquaintance with the darker side of life, which comes soon enough to all of us.

Wednesday, May 28, 2008

Lorenzo Lotto paintings

Lorenzo Lotto paintings
Louis Aston Knight paintings
Leon Bazile Perrault paintings
Leon-Augustin L'hermitte paintings
"I didn't mean to, but you looked so funny I really couldn't help it," replied Meg, passing over the first part of his reproach, for it was quite true that she had shunned him, remembering the Moffat party and the talk after it.
Ned was offended and turned to Sallie for consolation, saying to her rather pettishly, "There isn't a bit of flirt in that girl, is there?"
"Not a particle, but she's a dear," returned Sallie, defending her friend even while confessing her shortcomings.
"She's not a stricken deer anyway," said Ned, trying to be witty, and succeeding as well as very young gentlemen usually do.
On the lawn where it had gathered, the little party separated with cordial good nights and good-bys, for the Vaughns were going to Canada. As the four sisters went home through the

Fabian Perez paintings

Fabian Perez paintings
Francois Boucher paintings
Frank Dicksee paintings
Ford Madox Brown paintings
"I can't. I'm not playing, I never do," said Frank, dismayed at the sentimental predicament out of which he was to rescue the absurd couple. Beth had disappeared behind Jo, and Grace was asleep.
"So the poor knight is to be left sticking in the hedge, is he?" asked Mr. Brooke, still watching the river, and playing with the wild rose in his buttonhole.
"I guess the princess gave him a posy, and opened the gate after a while," said Laurie, smiling to himself, as he threw acorns at his tutor.
"What a piece of nonsense we have made! With practice we might do something quite clever. Do you know Truth?"
"I hope so," said Meg soberly.
"The game, I mean?"
"What is it?" said Fred.
"Why, you pile up your hands, choose a number, and draw out in turn, and the person who draws at the number has to answer truly any question put by the rest. It's great fun."
"Let's try it," said Jo, who liked new experiments.
Miss Kate and Mr. Booke, Meg, and Ned declined, but Fred, Sallie, Jo, and Laurie piled and drew, and the lot fell to Laurie.
"Who are your heroes?" asked Jo.
"Grandfather and Napoleon."

William Merritt Chase paintings

William Merritt Chase paintings
William Blake paintings
Winslow Homer paintings
William Bouguereau paintings
was not far to Longmeadow, but the tent was pitched and the wickets down by the time they arrived. A pleasant green field, with three wide-spreading oaks in the middle and a smooth strip of turf for croquet.
"Welcome to Camp Laurence!" said the young host, as they landed with exclamations of delight.
"Brooke is commander in chief, I am commissary general, the other fellows are staff officers, and you, ladies, are company. The tent is for your especial benefit and that oak is your drawing room, this is the messroom and the third is the camp kitchen. Now, let's have a game before it gets hot, and then we'll see about dinner."
Frank, Beth, Amy, and Grace sat down to watch the game played by the other eight. Mr. Brooke chose Meg, Kate, and Fred. Laurie took Sallie, Jo, and Ned. The English played well, but the Americans played better, and contested every inch of the ground as strongly as if the spirit of `76 inspired them. Jo and Fred had several skirmishes and once narrowly escaped high words. Jo was through the last wicket and had missed the stroke, which failure ruffled her a good deal. Fred was close behind her and his turn came before hers. He gave a stroke

wholesale oil painting

wholesale oil painting
Then let me advise you to take up your little burdens again, for though they seem heavy sometimes, they are good for us, and lighten as we learn to carry them. Work is wholesome, and there is plenty for everyone. It keeps us from ennui and mischief, is good for health and spirits, and gives us a sense of power and independence better than money or fashion."
"We'll work like bees, and love it too, see if we don't," said Jo. "I'll learn plain cooking for my holiday task, and the dinner party I have shall be a success."
"I'll make the set of shirts for father, instead of letting you do it, Marmee. I can and I will, though I'm not fond of sewing. That will be better than fussing over my own things, which are plenty nice enough as they are." said Meg.
"I'll do my lessons every day, and not spend so much time with my music and dolls. I am a stupid thing, and ought to be studying, not playing," was Beth's resolution, while Amy followed their example by heroically declaring, "I shall learn to make buttonholes, and attend to my parts of speech."

Tuesday, May 27, 2008

Dirck Bouts paintings

Dirck Bouts paintings
Dante Gabriel Rossetti paintings
Daniel Ridgway Knight paintings
Edmund Blair Leighton paintings
The fact began at last to dawn upon Peter's mind that he had no further punishment to fear, and that the kind lady sitting in front of him had delivered him from the police constable. He suddenly felt as if the weight of a mountain had fallen off him. He had also by this time awakened to the further conviction that it was better to make a full confession at
-343-once of anything he had done wrong or had left undone, and so he said, "And I lost the paper, too."
Grandmamma had to consider a moment what he meant, but soon recalled his connection with her telegram, and answered kindly, --
"You are a good boy to tell me! Never conceal anything you have done wrong, and then all will come right again. And now what would you like me to give you?"
Peter grew almost giddy with the thought that he could have anything in the world that he wished for. He had a vision of the yearly fair at Mayenfeld with the glittering stalls and all the lovely things that he had stood gazing at for hours, without a hope of ever possessing one of them, for Peter's purse never held more than a halfpenny, and all these fascinating

oil painting reproduction

oil painting reproduction
mark rothko paintings
Old Master Oil Paintings
Well done! another of you come bumping along like this!" said a voice close to Peter, "and which of you to-morrow is the wind going to send rolling down like a badly-sewn sack of potatoes?" It was the baker, who stood there laughing. He had been strolling out to refresh himself after his hot day's work, and had watched with amusement as he saw Peter come rolling over and over in much the same way as the chair.
Peter was on his feet in a moment. He had received
-335-a fresh shock. Without once looking behind him he began hurrying up the slope again. He would have liked best to go home and creep into bed, so as to hide himself, for he felt safest when there. But he had left the goats up above, and Uncle had given him strict injunctions to make haste back so that they might not be left too long alone. And he stood more in awe of Uncle than any one, and would not have dared to disobey him on any account. There was no help for it, he had to go back, and Peter went on groaning and limping. He could run no more, for the anguish of mind he had been through, and the bumping and shaking he had received, were beginning to tell upon him. And so with lagging steps and groans he slowly made his way up the mountain.

Martin Johnson Heade paintings

Martin Johnson Heade paintings
Nancy O'Toole paintings
Philip Craig paintings
Paul McCormack paintings
Perhaps Peter fancies he sees the stick which he
-328-so well deserves coming after him," answered grandfather.
Peter ran up the first slope without a pause; when he was well out of sight, however, he stood still and looked suspiciously about him. Suddenly he gave a jump and looked behind him with a terrified expression, as if some one had caught hold of him by the nape of the neck; for Peter expected every minute that the police-constable from Frankfurt would leap out upon him from behind some bush or hedge. The longer his suspense lasted, the more frightened and miserable he became; he did not know a moment's peace.
Heidi now set about tidying the hut, as grandmamma must find everything clean and in good order when she arrived.
Clara looked on amused and interested to watch the busy Heidi at her work.

Peder Mork Monsted paintings

Peder Mork Monsted paintings
Pierre Auguste Renoir paintings
Peder Severin Kroyer paintings
Pieter de Hooch paintings
Heidi was not long getting ready; it was such an unusual summons from her grandfather that she must make haste. She put on her smart Frankfurt dress and soon went down, but when she saw her grandfather
-210-she stood still, gazing at him in astonishment. "Why, grandfather!" she exclaimed, "I never saw you look like that before! and the coat with the silver buttons! Oh, you do look nice in your Sunday coat!"
The old man smiled and replied, "And you too; now come along!" He took Heidi's hand in his and together they walked down the mountain side. The bells were ringing in every direction now, sounding louder and fuller as they neared the valley, and Heidi listened to them with delight. "Hark at them, grandfather! it's like a great festival!"
The congregation had already assembled and the singing had begun when Heidi and her grandfather entered the church at Dörfli and sat down at the back. But before the hymn was over every one was nudging his neighbor and whispering, "Do you see? Alm-Uncle is in church!"

Monday, May 26, 2008

Jean-Honore Fragonard paintings

Jean-Honore Fragonard paintings
Jehan Georges Vibert paintings
Jean-Baptiste-Camille Corot paintings
James Childs paintings
cannot let you do that; the money was not given to you for that purpose; you must give it to your grandfather, and he will tell you how you are to spend it."
But Heidi was not to be hindered in her kind intentions, and she continued to jump about, saying over and over again in a tone of exultation, "Now, grandmother can have a roll every day and will grow quite strong again -- and, Oh, grandmother," she suddenly exclaimed with an increase of jubilation in her voice, "if you get strong everything will grow light again for you; perhaps it's only because you are weak that it is dark." The grandmother said nothing, she did not wish to spoil the child's pleasure. As she went jumping about Heidi suddenly caught sight of the grandmother's song book, and another happy idea struck her, "Grandmother, I can also read now, would you like me to read you one of your hymns from your old book?"
"Oh, yes," said the grandmother, surprised and delighted; "but can you really read, child, really?"

Allan R.Banks paintings

Allan R.Banks paintings
Andrea Mantegna paintings
Arthur Hughes paintings
Albert Bierstadt paintings
they drove into Dörfli. A crowd of women and children immediately surrounded the cart, for the box and the child arriving with the miller had excited the curiosity of everybody
-191-in the neighborhood, inquisitive to know whence they came and whither they were going and to whom they belonged. As the miller lifted Heidi down, she said hastily, "Thank you, grandfather will send for the trunk," and was just going to run off, when first one and then another of the bystanders caught hold of her, each one having a different question to put to her. But Heidi pushed her way through them with such an expression of distress on her face that they were forced to let her go. "You see," they said to one another, "how frightened she is, and no wonder," and then they went on to talk of Alm-Uncle, how much worse he had grown that last year, never speaking a word and looking as if he would like to kill everybody he met, and if the child had anywhere else to go to she certainly would not run back to the old dragon's den. But here the miller interrupted them, saying he knew more about it than they did, and began telling them how a kind gentleman had brought her to Mayenfeld and seen her off, and had given him his fare without any bargaining, and extra money for himself; what

Montague Dawson paintings

Montague Dawson paintings
Mary Cassatt paintings
Maxfield Parrish paintings
Martin Johnson Heade paintings
his during the night, which she would have enjoyed hearing about in the broad daylight. Instead of this there were these prosaic and troublesome directions, which were so unexpected that she took some time to get over her surprise and disappointment, and continued standing awaiting further explanation.
But Herr Sesemann had no thought or time for explanations and left her standing there while he went to speak to Clara. As he anticipated, the unusual commotion in the house had disturbed her, and she was lying and listening and wondering what had happened. So he sat down and told her everything that had occurred during the past night, and explained that the doctor had given his verdict and pronounced Heidi to be in a very highly strung state, so that her nightly wanderings might gradually lead her farther and farther, perhaps even on to the roof, which of course would be very dangerous for her. And so they had decided to send her home at once, as he did not like to take the responsibility of her remaining, and Clara would see for herself that it was the only thing to do. Clara was very much distressed, and at first made all kinds of suggestions for keeping Heidi with her; but her father was firm, and

Sunday, May 25, 2008

dropship oil paintings

dropship oil paintings
Mediterranean paintings
Oil Painting Gallery
Alfred Gockel paintings
The Lion went back to the opening where the beasts of the forest were waiting for him and said proudly:
"You need fear your enemy no longer."
Then the beasts bowed down to the Lion as their King, and he promised to come back and rule over them as soon as Dorothy was safely on her way to Kansas.
The four travelers passed through the rest of the forest in safety, and when they came out from its gloom saw before them a steep hill, covered from top to bottom with great pieces of rock.
"That will be a hard climb," said the Scarecrow, "but we must get over the hill, nevertheless."
So he led the way and the others followed. They had nearly reached the first rock when they heard a rough voice cry out, "Keep back!"
"Who are you?" asked the Scarecrow.
Then a head

Lorenzo Lotto paintings

Lorenzo Lotto paintings
Louis Aston Knight paintings
Leon Bazile Perrault paintings
Leon-Augustin L'hermitte paintings
"There!" cried the milkmaid angrily. "See what you have done! My cow has broken her leg, and I must take her to the mender's shop and have it glued on again. What do you mean by coming here and frightening my cow?"
"I'm very sorry," returned Dorothy. "Please forgive us."
But the pretty milkmaid was much too vexed to make any answer. She picked up the leg sulkily and led her cow away, the poor animal limping on three legs. As she left them the milkmaid cast many reproachful glances over her shoulder at the clumsy strangers, holding her nicked elbow close to her side.
Dorothy was quite grieved at this mishap.
"We must be very careful here," said the kind-hearted Woodman, "or we may hurt these pretty little people so they will never get over it."
A little farther on Dorothy met a most beautifully dressed young Princess, who stopped short as she saw the strangers and started to run away.
Dorothy wanted to see more of the Princess, so she ran after her. But the china girl cried out:

Gustave Courbet paintings

Gustave Courbet paintings
Guido Reni paintings
George Inness paintings
George Frederick Watts paintings
"I also," said the Tin Woodman, "am well-pleased with my new heart; and, really, that was the only thing I wished in all the world."
"For my part, I am content in knowing I am as brave as any beast that ever lived, if not braver," said the Lion modestly.
"If Dorothy would only be contented to live in the Emerald City," continued the Scarecrow, "we might all be happy together."
"But I don't want to live here," cried Dorothy. "I want to go to Kansas, and live with Aunt Em and Uncle Henry."
"Well, then, what can be done?" inquired the Woodman.
The Scarecrow decided to think, and he thought so hard that the pins and needles began to stick out of his brains. Finally he said:
"Why not call the Winged Monkeys, and ask them to carry you over the desert?"

Edward hopper paintings

Edward hopper paintings
Mary Cassatt paintings
gustav klimt paintings
oil painting reproduction
beautiful place, abounding in jewels and precious metals, and every good thing that is needed to make one happy. I have been good to the people, and they like me; but ever since this Palace was built, I have shut myself up and would not see any of them.
"One of my greatest fears was the Witches, for while I had no magical powers at all I soon found out that the Witches were really able to do wonderful things. There were four of them in this country, and they ruled the people who live in the North and South and East and West. Fortunately, the Witches of the North and South were good, and I knew they would do me no harm; but the Witches of the East and West were terribly wicked, and had they not thought I was more powerful than they themselves, they would surely have destroyed me. As it was, I lived in deadly fear of them for many years; so you can imagine how pleased I was when I heard your house had fallen on the Wicked Witch of the East. When you came to me, I was willing to promise anything if you would only do away with the other Witch; but, now that you have melted her, I am ashamed to say that I cannot keep my promises."

Patrick Devonas paintings

Patrick Devonas paintings
Peder Mork Monsted paintings
Pierre Auguste Renoir paintings
Peder Severin Kroyer paintings
We have come to claim our promise, O Oz."
"What promise?" asked Oz.
"You promised to send me back to Kansas when the Wicked Witch was destroyed," said the girl.
"And you promised to give me brains," said the Scarecrow.
"And you promised to give me a heart," said the Tin Woodman.
"And you promised to give me courage," said the Cowardly Lion.
"Is the Wicked Witch really destroyed?" asked the Voice, and Dorothy thought it trembled a little.
"Yes," she answered, "I melted her with a bucket of water." "Dear me," said the Voice, "how sudden! Well, come to me tomorrow, for I must have time to think it over."
"You've had plenty of time already," said the Tin Woodman angrily.
"We shan't wait a day longer," said the Scarecrow.
"You must keep your promises to us!" exclaimed Dorothy.

Saturday, May 24, 2008

mark rothko paintings

mark rothko paintings
Old Master Oil Paintings
Nude Oil Paintings
dropship oil paintings
All this time Dorothy and her companions had been walking through the thick woods. The road was still paved with yellow brick, but these were much covered by dried branches and dead leaves from the trees, and the walking was not at all good.
There were few birds in this part of the forest, for birds love the open country where there is plenty of sunshine. But now and then there came a deep growl from some wild animal hidden among the trees. These sounds made the little girl's heart beat fast, for she did not know what made them; but Toto knew, and he walked close to Dorothy's side, and did not even bark in return.
"How long will it be," the child asked of the Tin Woodman, "before we are out of the forest?"
"I cannot tell," was the answer, "for I have never been to the Emerald City. But my father went there once, when I was a boy, and he said it was a long journey through a dangerous country, although nearer to the city where Oz dwells the country is beautiful. But I am not afraid so long as I have my oil-can, and nothing can hurt the Scarecrow, while you bear upon your forehead the mark of the Good Witch's kiss, and that will protect you from harm."

Friday, May 23, 2008

Jean-Paul Laurens paintings

Jean-Paul Laurens paintings
Jules Breton paintings
Johannes Vermeer paintings
Jacques-Louis David paintings
Back! Whoso touches him perils his life!"
The Lord Protector was perplexed in the last degree. He said to the Lord St. John:
"Searched you well?-but it boots not to ask that. It doth seem passing strange. Little things, trifles, slip out of one's ken, and one does not think it matter for surprise; but how a so bulky thing as the Seal of England can vanish away and no man be able to get track of it again-a massy golden disk-"
Tom Canty, with beaming eyes, sprang forward and shouted:
"Hold, that is enough! Was it round?-and thick?-and had it letters and devices graved upon it?-Yes? Oh, now I know what this Great Seal is that there's been such worry and pother about! An ye had described it to me, ye could have had it three weeks ago. Right well I know where it lies; but it was not I that put it there-first."
"Who, then, my liege?" asked the Lord Protector.
"He that stands there-the rightful king of England. And he shall tell you himself where it lies-then you will believe he knew it of his own knowledge. Bethink thee, my king-spur thy memory-it was the last, the very last thing thou didst that day before thou didst rush forth from the palace, clothed in my rags, to punish the soldier that insulted me.

Wednesday, May 21, 2008

Famous painting

Famous painting
Then followed a confusion of kicks, cuffs, tramplings and plungings, accompanied by a thunderous intermingling of volleyed curses, and finally a bitter apostrophe to the mule, which must have broken its spirit, for hostilities seemed to cease from that moment.
With unutterable misery the fettered little king heard the voices and footsteps fade away and die out. All hope forsook him now for the moment, and a dull despair settled down upon his heart. "My only friend is deceived and got rid of," he said; "the hermit will return and-" He finished with a gasp; and at once fell to struggling so frantically with his bonds again, that he shook off the smothering sheepskin.
And now he heard the door open! The sound chilled him to the marrow-already he seemed to feel the knife at his throat. Horror made him close his eyes; horror made him open them again-and before him stood John Canty and Hugo!
He would have said "Thank God!" if his jaws had been free.
A moment or two later his limbs were at liberty, and his captors, each gripping him by an arm, were hurrying him with all speed through the forest.

Guillaume Seignac paintings

Guillaume Seignac paintings
George Owen Wynne Apperley paintings
Gustave Courbet paintings
Guido Reni paintings
betters, on ostensible terms of equality with them; and the king, on his side, was so remorseful for having broken his trust, after the family had been so kind to him, that he forced himself to atone for it by humbling himself to the family level, instead of requiring the woman and her children to stand and wait upon him while he occupied their table in the solitary state due his birth and dignity. It does us all good to unbend sometimes. This good woman was made happy all the day long by the applauses she got out of herself for her magnanimous condescension to a tramp; and the king was just as self-complacent over his gracious humility toward a humble peasant woman.
When breakfast was over, the housewife told the king to wash up the dishes. This command was a staggerer for a moment, and the king came near rebelling; but then he said to himself, "Alfred the Great watched the cakes; doubtless he would have washed the dishes, too-therefore will I essay it." He made a sufficiently poor job of it; and to his surprise, too, for the cleaning of wooden spoons and trenchers had seemed an easy thing to do. It was a tedious and troublesome piece of work, but he finished it at last. He was becoming impatient to

Francisco de Zurbaran paintings

Francisco de Zurbaran paintings
Gustav Klimt paintings
Georgia O'Keeffe paintings
Gustave Clarence Rodolphe Boulanger paintings
"Another English king had a commission like to this, in a bygone time-it is nothing against my dignity to undertake an office which the great Alfred stooped to assume. But I will try to better serve my trust than he; for he let the cakes burn."
The intent was good, but the performance was not answerable to it; for this king, like the other one, soon fell into deep thinkings concerning his vast affairs, and the same calamity resulted-the cookery got burned. The woman returned in time to save the breakfast from entire destruction; and she promptly brought the king out of his dreams with a brisk and cordial tongue-lashing. Then, seeing how troubled he was over his violated trust, she softened at once and was all goodness and gentleness toward him.
The boy made a hearty and satisfying meal, and was greatly refreshed and gladdened by it. It was a meal which was distinguished by this curious feature, that rank was waived on both sides; yet neither recipient of the favor was aware that it had been extended. The goodwife had intended to feed this young tramp with broken victuals in a corner, like any other tramp, or like a dog; but she was so remorseful for the scolding she had given him, that she did what she could to atone for it by allowing him to sit at the family table and eat with his

Frederic Edwin Church paintings

Frederic Edwin Church paintings
Frederic Remington paintings
Francisco de Goya paintings
Filippino Lippi paintings
Her tired tongue got a chance to rest now; for the king's, inspired by gnawing hunger and the fragrant smells that came from the sputtering pots and pans, turned itself loose and delivered itself up to such an eloquent dissertation upon certain toothsome dishes, that within three minutes the woman said to herself, "Of a truth I was right-he hath holpen in a kitchen!" Then he broadened his bill of fare, and discussed it with such appreciation and animation, that the goodwife said to herself, "Good lack! how can he know so many dishes, and so fine ones withal? For these belong only upon the tables of the rich and great. Ah, now I see! ragged outcast as he is, he must have served in the palace before his reason went astray; yes, he must have helped in the very kitchen of the king himself! I will test him."
Full of eagerness to prove her sagacity, she told the king to mind the cooking a moment-hinting that he might manufacture and add a dish or two, if he chose-then she went out of the room and gave her children a sign to follow after. The king muttered:

Tuesday, May 20, 2008

Leon Bazile Perrault paintings

Leon Bazile Perrault paintings
Leon-Augustin L'hermitte paintings
Lady Laura Teresa Alma-Tadema paintings
Louise Abbema paintings
After hours of persistent pursuit and persecution, the little prince was at last deserted by the rabble and left to himself. As long as he had been able to rage against the mob, and threaten it royally, and royally utter commands that were good stuff to laugh at, he was very entertaining; but when weariness finally forced him to be silent, he was no longer of use to his tormentors, and they sought amusement elsewhere. He looked about him now, but could not recognize the locality. He was within the city of London-that was all he knew. He moved on, aimlessly, and in a little while the houses thinned, and the passers-by were infrequent. He bathed his bleeding feet in the brook which flowed then where Farringdon Street now is; rested a few moments, then passed on, and presently came upon a great space with only a few scattered houses in it, and a prodigious church. He recognized this church. Scaffoldings were about, everywhere, and swarms of workmen; for it was undergoing elaborate repairs. The prince took heart at once-he felt that his troubles were at an end now. He said to himself

Jehan Georges Vibert paintings

Jehan Georges Vibert paintings
Jean-Baptiste-Camille Corot paintings
James Childs paintings
John Singleton Copley paintings
I heard you come in " - he addressed Mrs. Bunting in his high, whistling, hesitating voice - "and so I've come down to ask you if you and Miss Bunting will come to Madame Tussaud's now. I have never seen those famous waxworks, though I've heard of the place all my life."
As Bunting forced himself to look fixedly at his lodger, a sudden doubt bringing with it a sense of immeasurable relief, came to Mr. Sleuth's landlord.
Surely it was inconceivable that this gentle, mild-mannered gentleman could be the monster of cruelty and cunning that Bunting had now for the terrible space of four days believed him to be!
He tried to catch his wife's eye, but Mrs. Bunting was looking away, staring into vacancy. She still, of course, wore the bonnet and cloak in which she had just been out to do her marketing. Daisy was already putting on her hat and coat.
"Well?" said Mr. Sleuth. Then Mrs. Bunting turned, and it seemed to his landlady that he was looking at her threateningly. "Well?"
"Yes, sir. We'll come in a minute," she said dully.

Igor V.Babailov paintings

Igor V.Babailov paintings
Juarez Machado paintings
Joan Miro paintings
Jean-Honore Fragonard paintings
Daisy pouted. "Oh, father, I think you might let me have a treat on my birthday! I told him that Saturday wasn't a very good day - at least, so I'd heard - for Madame Tussaud's. Then he said we could go early, while the fine folk are still having their dinners." She turned to her stepmother, then giggled happily. "He particularly said you was to come, too. The lodger has a wonderful fancy for you, Ellen; if I was father, I'd feel quite jealous!"
Her last words were cut across by a, tap-tap on the door.
Bunting and his wife looked at each other apprehensively. Was it possible that, in their agitation, they had left the front door open, and that someone, some merciless myrmidon of the law, had crept in behind them?
Both felt a curious thrill of satisfaction when they saw that it was only Mr. Sleuth - Mr. Sleuth dressed for going out; the tall hat he had worn when he had first come to them was in his hand, but he was wearing a coat instead of his Inverness cape.

Henri Fantin-Latour paintings

Henri Fantin-Latour paintings
Horace Vernet paintings
Ivan Constantinovich Aivazovsky paintings
Il'ya Repin paintings
Daisy was standing before the fire in their sitting room, admiring herself in the glass.
"Oh, father," she exclaimed, without turning round, "I've seen the lodger! He's quite a nice gentleman, though, to be sure, he does look a cure. He rang his bell, but I didn't like to go up; and so he came down to ask Ellen for something. We had quite a nice little chat - that we had. I told him it was my birthday, and he asked me and Ellen to go to Madame Tussaud's with him this afternoon." She laughed, a little self-consciously. "Of course, I could see he was 'centric, and then at first he spoke so funnily. 'And who be you?' he says, threatening-like. And I says to him, 'I'm Mr. Bunting's daughter, sir.' 'Then you're a very fortunate girl ' - that's what he says, Ellen - 'to 'ave such a nice step-mother as you've got. That's why,' he says, 'you look such a good, innocent girl.' And then he quoted a bit of the Prayer Book. 'Keep innocency,' he says, wagging his head at me. Lor'! It made me feel as if I was with Old Aunt again."
"I won't have you going out with the lodger - that's flat."
Bunting spoke in a muffled, angry tone. He was wiping his forehead with one hand, while with the other he mechanically squeezed the little packet of tobacco, for which, as he now remembered, he had forgotten to pay.

George Inness paintings

George Inness paintings
George Frederick Watts paintings
Guercino paintings
Howard Behrens paintings
They turned and scurried down the crowded street. "Don't run," he said suddenly; "we shall get there just as quickly if we walk fast. People are noticing you, Ellen. Don't run."
He spoke breathlessly, but it was breathlessness induced by fear and by excitement, not by the quick pace at which they were walking.
At last they reached their own gate, and Bunting pushed past in front of his wife.
After all, Daisy was his child; Ellen couldn't know how he was feeling.
He seemed to take the path in one leap, then fumbled for a moment with his latchkey.
Opening wide the door, "Daisy!" he called out, in a wailing voice, "Daisy, my dear! where are you?"
"Here I am, father. What is it?"
"She's all right " Bunting turned a grey face to his wife. "She's all right Ellen."
He waited a moment, leaning against the wall of the passage. "It did give me a turn," he said, and then, warningly, "Don't frighten the girl, Ellen."

contemporary abstract painting

contemporary abstract painting
But Mr. Sleuth's landlady did not go on, down to the kitchen. She came into her sitting-room, and, careless of what Bunting would think the next morning, put the tray with the remains of the lodger's meal on her table. Having done that, and having turned out the gas in the passage and the sitting-room, she went into her bedroom and closed the door.
The fire was burning brightly and clearly. She told herself that she did not need any other light to undress by.
What was it made the flames of the fire shoot up, shoot down, in that queer way? But watching it for awhile, she did at last doze off a bit.
And then - and then Mrs. Bunting woke with a sudden thumping of her heart. Woke to see that the fire was almost out - woke to hear a quarter to twelve chime out - woke at last to the sound she had been listening for before she fell asleep - the sound of Mr. Sleuth, wearing his rubber-soled shoes, creeping downstairs, along the passage, and so out, very, very quietly by the front door.

Monday, May 19, 2008

Marc Chagall Painting

Marc Chagall Painting
And as she stood there listening, a feeling of keen distress, of spiritual oppression, came over Mrs. Bunting. For the first time in her life she visioned the infinite mystery, the sadness and strangeness, of human life.
Poor Mr. Sleuth - poor unhappy, distraught Mr. Sleuth! An overwhelming pity blotted out for a moment the fear, aye, and the loathing, she had been feeling for her lodger.
She knocked at the door, and then she took up her tray.
"Come in, Mrs. Bunting." Mr. Sleuth's voice sounded feebler, more toneless than usual.
She turned the handle of the door and walked in. The lodger was not sitting in his usual place; he had taken the little round table on which his candle generally rested when he read in bed, out of his bedroom, and placed it over by the drawing-room window. On it were placed, open, the Bible and the Concordance. But as his landlady came in, Mr. Sleuth hastily closed the Bible, and began staring dreamily out of the window, down at the sordid, hurrying crowd of men and women which now swept along the Marylebone Road.

Henri Matisse Painting

Henri Matisse Painting
Then, very slowly, with her heart beating queerly, she walked up, and just outside the sitting-room - for she felt sure that Mr. Sleuth had got up, that he was there already, waiting for her - she rested the tray on the top of the banisters and listened. For a few moments she heard nothing; then through the door came the high, quavering voice with which she had become so familiar:
"'She saith to him, stolen waters are sweet, and bread eaten in secret is pleasant. But he knoweth not that the dead are there, and that her guests are in the depths of hell.'"
There was a long pause. Mrs. Bunting could hear the leaves of her Bible being turned over, eagerly, busily; and then again Mr. Sleuth broke out, this time in a softer voice:
"'She hath cast down many wounded from her; yea, many strong men have been slain by her.'" And in a softer, lower, plaintive tone came the words: "'I applied my heart to know, and to search, and to seek out wisdom and the reason of things; and to know the wickedness of folly, even of foolishness and madness.'"

Van Gogh Painting

Van Gogh Painting
At last she went across to the door and unlocked it. Then she went upstairs and turned out her bedroom. That made her feel a little better.
She longed for Bunting to return, and yet in a way she was relieved by his absence. She would have liked to feel him near by, and yet she welcomed anything that took her husband out of the house.
And as Mrs. Bunting swept and dusted, trying to put her whole mind into what she was doing, she was asking herself all the time what was going on upstairs.
What a good rest the lodger was having! But there, that was only natural. Mr. Sleuth, as she well knew, had been up a long time last night, or rather this morning.
Suddenly, the drawing-room bell rang. But Mr. Sleuth's landlady did not go up, as she generally did, before getting ready the simple meal which was the lodger's luncheon and breakfast combined. Instead, she went downstairs again and hurriedly prepared the lodger's food.

Thursday, May 15, 2008

Modern Art Painting

Modern Art Painting
Oh,'' he said doubtfully.
"He said, 'Think of a hound and you'll never forget my name,'" and Mrs. Bunting smiled.
When he got to the door, Bunting turned round: "We'll now be able to pay young Chandler back some o' that thirty shillings. I am glad." She nodded; her heart, as the saying is, too full for words.
And then each went about his and her business - Bunting out into the drenching fog, his wife down to her cold kitchen.
The lodger's tray was soon ready; everything upon it nicely and daintily arranged. Mrs. Bunting knew how to wait upon a gentleman.
Just as the landlady was going up the kitchen stair, she suddenly remembered Mr. Sleuth's request for a Bible. Putting the tray down in the hall, she went into her sitting-room and took up the Book; but when back in the hall she hesitated a moment as to whether it was worth while to make two journeys. But, no, she thought she could manage; clasping the large, heavy volume under her arm, and taking up the tray, she walked slowly up the staircase.

Art Painting

Art Painting
Oh, yes, that's all right." But still he looked at her doubtfully. "I asked him if he'd like me to just put away his clothes. But, Ellen, he said he hadn't got any clothes!"
"No more he hasn't;" she spoke quickly, defensively. "He had the misfortune to lose his luggage. He's one dishonest folk 'ud take advantage of."
"Yes, one can see that with half an eye," Buntlng agreed.
And then there was silence for a few moments, while Mrs. Bunting put down on a little bit of paper the things she wanted her husband to go out and buy for her. She handed him the list, together with a sovereign. "Be as quick as you can," she said, "for I feel a bit hungry. I'll be going down now to see about Mr. Sleuth's supper. He only wants a glass of milk and two eggs. I'm glad I've never fallen to bad eggs!"
"Sleuth," echoed Bunting, staring at her. "What a queer name! How d'you spell it - S-l-u-t-h?"
"No," she shot out, "S-l-e - u - t - h."

Famous painting

Famous painting
A moment later Bunting came down again. There was an odd smile on his face. "Whatever d'you think he wanted?" he whispered mysteriously. And as she said nothing, he went on, "He's asked me for the loan of a Bible!"
"Well, I don't see anything so out of the way in that," she said hastily, "'specially if he don't fell well. I'll take it up to him."
And then going to a small table which stood between the two windows, Mrs. Bunting took off it a large Bible, which had been given to her as a wedding present by a married lady with whose mother she had lived for several years.
"He said it would do quite well when you take up his supper," said Bunting; and, then, "Ellen? He's a queer-looking cove - not like any gentleman I ever had to do with."
"He is a gentleman," said Mrs. Bunting rather fiercely

Famous artist painting

Famous artist painting
And then she told him - or rather tried to tell him - what the lodger was like. Mrs. Bunting was no hand at talking, but one thing she did impress on her husband's mind, namely, that Mr. Sleuth was eccentric, as so many clever people are eccentric - that is, in a harmless way - and that he must be humoured.
"He says he doesn't want to be waited on much," she said at last wiping her eyes, "but I can see he will want a good bit of looking after, all the same, poor gentleman."
And just as the words left her mouth there came the unfamiliar sound of a loud ring. It was that of the drawing-room bell being pulled again and again.
Bunting looked at his wife eagerly. "I think I'd better go up, eh, Ellen?" he said. He felt quite anxious to see their new lodger. For the matter of that, it would be a relief to be doing something again.
"Yes," she answered, "you go up! Don't keep him waiting! I wonder what it is he wants? I said I'd let him know when his supper was ready."

Decorative painting

Decorative painting
"We've a new lodger!" she cried. "And - and, Bunting? He's quite the gentleman! He actually offered to pay four weeks in advance, at two guineas a week."
"No, never!"
Bunting moved quickly round the table, and together they stood there, fascinated by the little heap of gold. "But there's ten sovereigns here," he said suddenly.
"Yes, the gentleman said I'd have to buy some things for him to-morrow. And, oh, Bunting, he's so well spoken, I really felt that - I really felt that - " and then Mrs. Bunting, taking a step or two sideways, sat down, and throwing her little black apron over her face burst into gasping sobs.
Bunting patted her back timidly. "Ellen?" he said, much moved by her agitation, "Ellen? Don't take on so, my dear - "
"I won't," she sobbed, "I - I won't! I'm a fool - I know I am! But, oh, I didn't think we was ever going to have any luck again!"

Wednesday, May 14, 2008

claude monet impressionism painting

claude monet impressionism painting
flower garden painting
decorative flower painting
modern flower painting

On the stroke of half-past six Joseph Rouletabille was again brought in. It is impossible for me to picture the tense excitement which appeared on every face, as he made his way to the bar. Darzac rose to his feet, frightfully pale.
The President, addressing Rouletabille, said gravely:
"I will not ask you to take the oath, because you have not been regularly summoned; but I trust there is no need to urge upon you the gravity of the statement you are about to make."
Rouletabille looked the President quite calmly and steadily in the face, and replied:
"Yes, Monsieur."
"At your last appearance here," said the President, "we had arrived at the point where you were to tell us how the murderer escaped, and also his name. Now, Monsieur Rouletabille, we await your explanation."
"Very well, Monsieur," began my friend amidst a profound silence. "I had explained how it was impossible for the murderer to get away without being seen. And yet he was there with us in the courtyard."

famous landscape painting

famous landscape painting
american landscape painting
english landscape painting
impressionist landscape painting
"We have decided not to permit twelve worthy men to commit a disgraceful miscarriage of justice. We confess that the remarkable coincidences, the many convicting evidences, and the inexplicable silence on the part of the accused, as well as a total absence of any evidence for an alibi, were enough to warrant the bench of judges in assuming that in this man alone was centered the truth of the affair. The evidences are, in appearance, so overwhelming against Monsieur Robert Darzac that a detective so well informed, so intelligent, and generally so successful, as Monsieur Frederic Larsan, may be excused for having been misled by them. Up to now everything has gone against Monsieur Robert Darzac in the magisterial inquiry. To-day, however, we are going to defend him before the jury, and we are going to bring to the witness stand a light that will illumine the whole mystery of the Glandier. For we possess the truth.
"If we have not spoken sooner, it is because the interests of certain parties in the case demand that we should take that course. Our readers may remember the unsigned reports we published relating to the 'Left foot of the Rue Oberkampf,' at the time of the famous

Mary Cassatt painting

Mary Cassatt painting
Robert! - Robert!"
We recognised the voice of Mademoiselle Stangerson. We all shuddered. Larsan himself turned pale. Monsieur Darzac, in response to the cry, had flown back into the room.
The magistrate, the gendarme, and Larsan followed closely after. Rouletabille and I remained on the threshold. It was a heart-breaking sight that met our eyes. Mademoiselle Stangerson, with a face of deathly pallor, had risen on her bed, in spite of the restraining efforts of two doctors and her father. She was holding out her trembling arms towards Robert Darzac, on whom Larsan and the gendarme had laid hands. Her distended eyes saw - she understood - her lips seemed to form a word, but nobody made it out; and she fell back insensible.
Monsieur Darzac was hurried out of the room and placed in the vestibule to wait for the vehicle Larsan had gone to fetch. We were all overcome by emotion and even Monsieur de Marquet had tears in his eyes. Rouletabille took advantage of the opportunity to say to Monsieur Darzac:

Edward Hopper Painting

Edward Hopper Painting
Monsieur Darzac," the magistrate went on in a tone of deep emotion, "Monsieur Darzac, what were you doing that night, at Epinay-sur-Orge - at that time?"
Monsieur Darzac remained silent, simply closing his eyes.
"Monsieur Darzac," insisted Monsieur de Marquet, "can you tell me how you employed your time, that night?"
Monsieur Darzac opened his eyes. He seemed to have recovered his self-control.
"No, Monsieur."
"Think, Monsieur! For, if you persist in your strange refusal, I shall be under the painful necessity of keeping you at my disposition."
"I refuse."
"Monsieur Darzac! - in the name of the law, I arrest you!"
The magistrate had no sooner pronounced the words than I saw Rouletabille move quickly towards Monsieur Darzac. He would certainly have spoken to him, but Darzac, by a gesture, held him off. As the gendarme approached his prisoner, a despairing cry rang through the room:

Van Gogh Sunflower

Van Gogh Sunflower
Almost immediately after Monsieur Robert Darzac came out. He was very pale. He looked at us and, his eyes falling on the railway servant, his features stiffened and he could hardly repress a groan.
We were all much moved by the appearance of the man. We felt that what was about to happen would decide the fate of Monsieur Robert Darzac. Frederic Larsan's face alone was radiant, showing a joy as of a dog that had at last got its prey.
Pointing to the railway servant, Monsieur de Marquet said to Monsieur Darzac:
"Do you recognise this man, Monsieur?"
"I do," said Monsieur Darzac, in a tone which he vainly tried to make firm. "He is an employe at the station at Epinay-sur-Orge."
"This young man," went on Monsieur de Marquet, "affirms that he saw you get off the train at Epinay-sur-Orge -"
"That night," said Monsieur Darzac, interrupting, "at half-past ten - it is quite true."
An interval of silence followed.

Tuesday, May 13, 2008

The Birth of Venus

The Birth of Venus
reached the chateau, and, as we approached it, saw four gendarmes pacing in front of a little door in the ground floor of the donjon. We soon learned that in this ground floor, which had formerly served as a prison, Monsieur and Madame Bernier, the concierges, were confined. Monsieur Robert Darzac led us into the modern part of the chateau by a large door, protected by a projecting awning - a "marquise" as it is called. Rouletabille, who had resigned the horse and the cab to the care of a servant, never took his eyes off Monsieur Darzac. I followed his look and perceived that it was directed solely towards the gloved hands of the Sorbonne professor. When we were in a tiny sitting-room fitted with old furniture, Monsieur Darzac turned to Rouletabille and said sharply:
"What do you want?"
The reporter answered in an equally sharp tone:
"To shake you by the hand."

William Bouguereau paintings

William Bouguereau paintings
William Bouguereau
his horse. But Rouletabille had seized the bridle and, to my utter astonishment, stopped the carriage with a vigorous hand. Then he gave utterance to a sentence which was utterly meaningless to me.
"The presbytery has lost nothing of its charm, nor the garden its brightness."
The words had no sooner left the lips of Rouletabille than I saw Robert Darzac quail. Pale as he was, he became paler. His eyes were fixed on the young man in terror, and he immediately descended from the vehicle in an inexpressible state of agitation.
"Come! - come in!" he stammered.
Then, suddenly, and with a sort of fury, he repeated:
"Let us go, monsieur."
He turned up by the road he had come from the chateau, Rouletabille still retaining his hold on the horse's bridle. I addressed a few words to Monsieur Darzac, but he made no answer. My looks questioned Rouletabille, but his gaze was elsewhere.

Gustav Klimt Painting

Gustav Klimt Painting
Is Mademoiselle getting better?" I immediately asked.
"Yes ,"he said. "She will be saved perhaps. She must be saved!"
He did not add "or it will be my death"; but I felt that the phrase trembled on his pale lips.
Rouletabille intervened:
"You are in a hurry, Monsieur; but I must speak with you. I have something of the greatest importance to tell you."
Frederic Larsan interrupted:
"May I leave you?" he asked of Robert Darzac. "Have you a key, or do you wish me to give you this one."
"Thank you. I have a key and will lock the gate."
Larsan hurried off in the direction of the chateau, the imposing pile of which could be perceived a few hundred yards away.
Robert Darzac, with knit brow, was beginning to show impatience. I presented Rouletabille as a good friend of mine, but, as soon as he learnt that the young man was a journalist, he looked at me very reproachfully, excused himself, under the necessity of having to reach Epinay in twenty minutes, bowed, and whipped

famous salvador dali painting

famous salvador dali painting
lawyers and journalists are not enemies, the former need advertisement, the latter information. We chatted together, and I soon warmed towards him. His intelligence was so keen, and so original! -and he had a quality of thought such as I have never found in any other person.
Some time after this I was put in charge of the law news of the "Cri du Boulevard." My entry into journalism could not but strengthen the ties which united me to Rouletabille. After a while, my new friend being allowed to carry out an idea of a judicial correspondence column, which he was allowed to sign "Business," in the "Epoque," I was often able to furnish him with the legal information of which he stood in need.
Nearly two years passed in this way, and the better I knew him, the more I learned to love him; for, in spite of his careless extravagance, I had discovered

famous michelangelo painting

famous michelangelo painting
Joseph Josephine."
"That's not a name," said the editor-in-chief, "but since you will not be required to sign what you write it is of no consequence."
The boy-faced reporter speedily made himself many friends, for he was serviceable and gifted with a good humour that enchanted the most severe-tempered and disarmed the most zealous of his companions. At the Bar cafe, where the reporters assembled before going to any of the courts, or to the Prefecture, in search of their news of crime, he began to win a reputation as an unraveller of intricate and obscure affairs which found its way to the office of the Chief of the Surete. When a case was worth the trouble and Rouletabille - he had already been given his nickname - had been started on the scent by his editor-in-chief, he often got the better of the most famous detective.
It was at the Bar cafe that I became intimately acquainted with him. Criminal

famous diego rivera painting

famous diego rivera painting
This foot," he cried, "will make a great headline."
Then, when he had confided the gruesome packet to the medical lawyer attached to the journal, he asked the lad, who was shortly to become famous as Rouletabille, what he would expect to earn as a general reporter onthe "Epoque"?
"Two hundred francs a month," the youngster replied modestly, hardly able to breathe from surprise at the proposal.
"You shall have two hundred and fifty," said the editor-in-chief; only you must tell everybody that you have been engaged on the paper for a month. Let it be quite understood that it was not you but the 'Epoque' that discovered the left foot of the Rue Oberskampf. Here, my young friend, the man is nothing, the paper everything."
Having said this, he begged the new reporter to retire, but before the youth had reached the door he called him back to ask his name. The other replied

Sunday, May 11, 2008

oil painting from picture

oil painting from picture
Freed from prison, Pinocchio sets out to return to the Fairy; but on the way he meets a Serpent and later is caught in a trap
Fancy the happiness of Pinocchio on finding himself free! Without saying yes or no, he fled from the city and set out on the road that was to take him back to the house of the lovely Fairy.
It had rained for many days, and the road was so muddy that, at times, Pinocchio sank down almost to his knees.
But he kept on bravely.
Tormented by the wish to see his father and his fairy sister with azure hair, he raced like a greyhound. As he ran, he was splashed with mud even up to his cap.
"How unhappy I have been," he said to himself. "And yet I deserve everything, for I am certainly very stubborn and stupid! I will always have my own way. I won't listen to those who love me and who have more brains than I. But from now on, I'll be different and I'll try to become a most obedient boy. I have found out, beyond any doubt whatever, that disobedient boys are certainly far from happy, and that, in the long run, they always lose out. I wonder if Father is waiting for me. Will I find him at the Fairy's house? It is so long, poor man, since I have seen him, and I do so want his love and his kisses. And will the Fairy ever forgive me for all I have done? She who has been so good to me and to whom I owe my life! Can there be a worse or more heartless boy than I am anywhere?"

nude oil painting

nude oil painting
What are you laughing at?" Pinocchio asked peevishly.
"I am laughing because, in preening my feathers, I tickled myself under the wings."
We have hundreds more books for your enjoyment. Read them all!
The Marionette did not answer. He walked to the brook, filled his shoe with water, and once more sprinkled the ground which covered the gold pieces.
Another burst of laughter, even more impertinent than the first, was heard in the quiet field.
"Well," cried the Marionette, angrily this time, "may I know, Mr. Parrot, what amuses you so?"
"I am laughing at those simpletons who believe everything they hear and who allow themselves to be caught so easily in the traps set for them."
"Do you, perhaps, mean me?"
"I certainly do mean you, poor Pinocchio--you who are such a little silly as to believe that gold can be sown in a field just like beans or squash. I, too, believed that once and today I am very sorry for it. Today (but too late!) I have reached the conclusion that, in order to come by money honestly, one must work and know how to earn it with hand or brain."
"I don't know what you are talking about," said the Marionette, who was beginning to tremble with fear.
"Too bad! I'll explain myself better," said the Parrot. "While you were away in the city the Fox and the Cat returned here in a great hurry. They took the four gold pieces which you have buried and ran away as fast as the wind. If you can catch them, you're a brave one!"

oil painting artist

oil painting artist
Pinocchio is robbed of his gold pieces and, in punishment, is sentenced to four months in prison
If the Marionette had been told to wait a day instead of twenty minutes, the time could not have seemed longer to him. He walked impatiently to and fro and finally turned his nose toward the Field of Wonders.
And as he walked with hurried steps, his heart beat with an excited tic, tac, tic, tac, just as if it were a wall clock, and his busy brain kept thinking:
"What if, instead of a thousand, I should find two thousand? Or if, instead of two thousand, I should find five thousand--or one hundred thousand? I'll build myself a beautiful palace, with a thousand stables filled with a thousand wooden horses to play with, a cellar overflowing with lemonade and ice cream soda, and a library of candies and fruits, cakes and cookies."
Thus amusing himself with fancies, he came to the field. There he stopped to see if, by any chance, a vine filled with gold coins was in sight. But he saw nothing! He took a few steps forward, and still nothing! He stepped into the field. He went up to the place where he had dug the hole and buried the gold pieces. Again nothing! Pinocchio became very thoughtful and, forgetting his good manners altogether, he pulled a hand out of his pocket and gave his head a thorough scratching.
As he did so, he heard a hearty burst of laughter close to his head. He turned sharply, and there, just above him on the branch of a tree, sat a large Parrot, busily preening his feathers.

Saturday, May 10, 2008


curiosity regarding the Palace of Green Porcelain was a piece of self-deception, to enable me to shirk, by another day, an experience I dreaded. I resolved I would make the descent without further waste of time, and started out in the early morning towards a well near the ruins of granite and aluminium.
`Little Weena ran with me. She danced beside me to the well, but when she saw me lean over the mouth and look downward, she seemed strangely disconcerted. "Good-bye, Little Weena," I said, kissing her; and then putting her down, I began to feel over the parapet for the climbing hooks. Rather hastily, I may as well confess, for I feared my courage might leak away! At first she watched me in amazement. Then she gave a most piteous cry, and running to me, she began to pull at me with her little hands. I think her opposition nerved me rather to proceed. I shook her off, perhaps a little roughly, and in another moment I was in the throat of the well. I saw her agonized face over the parapet, and smiled to reassure her. Then I had to look down at the unstable hooks to which I clung.

Van Gogh Painting

Van Gogh Painting
For a moment I was staggered, though the import of his gesture was plain enough. The question had come into my mind abruptly: were these creatures fools? You may hardly understand how it took me. You see I had always anticipated that the people of the year Eight Hundred and Two Thousand odd would be incredibly in front of us in knowledge, art, everything. Then one of them suddenly asked me a question that showed him to be on the intellectual level of one of our five-year-old children-- asked me, in fact, if I had come from the sun in a thunderstorm! It let loose the judgment I had suspended upon their clothes, their frail light limbs, and fragile features. A flow of disappointment rushed across my mind. For a moment I felt that I had built the Time Machine in vain. As I stood there musing over this too perfect triumph of man, the full moon, yellow and gibbous, came up out of an overflow of silver light in the north-east. The bright little figures ceased to move about below, a noiseless owl flitted by, and I shivered with the chill of the night. I determined to descend and find where I could sleep.
`I looked for the building I knew. Then my eye travelled along to the figure of the White Sphinx upon the pedestal of bronze, growing distinct as the light of the rising moon grew brighter. I could see the silver birch against it. There was the tangle of rhododendron bushes, black in the pale light, and there was the little lawn. I looked at the lawn again. A queer doubt chilled my complacency. "No," said I stoutly to myself, "that was not the lawn."
`But it WAS the lawn. For the white leprous face of the sphinx was towards it. Can you imagine what I felt as this conviction came home to me? But you cannot. The Time Machine was gone!

Thursday, May 8, 2008

famous picasso pablo painting

famous picasso pablo painting

could not hide the sparkle, in their calculating eyes, of venal lust. The aging proprietress of the tourist camp was a scold and a cheat. And so they finally gave up. Betsy went Home. He kissed her good-by late one rainy afternoon in the bus station, surrounded by a horde of marines and by cheap suitcases and fallen candy wrappers and the sound of fretful children— all of the unlovely mementoes, so nightmar-ishly familiar, of leave-taking and of anxiety. Of war. He felt her tears against his cheek. It had been an evil day, and the rain that streamed against the windows, blurring a distant frieze of gaunt gray pines, had seemed to nag with both remembrance and foreboding—of tropic seas, storm-swept distances and strange coasts.He had heard the explosion himself. They had been eating at their own chow-line in a command post set up in a grove of trees, when the noise came from off to the right, distant enough but still too close: a twin quick earth-shaking sound—crump crump. Then seconds later in the still of noon when even the birds had become quiet and only a few murmured voices disturbed the concentration of eating, a shudder had passed through the surrounding underbrush, like a faint hot wind. It was premonitory, perhaps, but still no one knew. The leaves rustled, ceased, and Culver had looked up from where he squatted against a tree to see fifty scattered faces peering toward the noise, their knives and forks suspended. Then from the galley among the trees a clatter broke the silence, a falling pan or kettle, and someone laughed, and the Colonel, sitting nearby, had said to the Major—what had he said? Culver couldn't remember, yet there had been something uneasy in his tone, even then

abstract acrylic painting

abstract acrylic painting
embrace, to the droll combat between beagle and cat, to music before sleep. Sometimes in these reveries Culver thought that it was the music, more than anything, which provided the key, and he recalled himself at a time which already seemed dark ages ago, surrounded by beer cans and attuned, in the nostalgic air of a winter evening, to some passage from some forgotten Haydn. It was one happy and ascending bar that he remembered, a dozen bright notes through which he passed in memory to an earlier, untroubled day at the end of childhood. There, like tumbling flowers against the sunny grass, their motions as nimble as the musicitself, two lovely little girls played tennis, called to him voicelessly, as in a dream, and waved their arms.
The sordid little town outside the camp possessed the horror of recognition, for Culver had been there before. They left the baby with a sister and headed South where, on the outskirts of the town, they found a cramped room in a tourist cabin. They were there for two weeks. They searched vainly for a place to live, there was no more room at the camp. They turned away from bleak cell-like rooms offered at five times their value, were shown huts and chicken-coops by characters whose bland country faces

world art painting

world art painting
horrible; they were well adjusted and each of them found it easy to admit, long after the honeymoon, that they were deeply in love. Months later at camp, ensnared futilely in the coils of some administrative flypaper, Culver would find himself gazing up from his work and out across the smoky hot barrens of pine and sand, relieving his vast boredom in a daydream of that vanished simplicity and charm. His mind seemed to drift toward one recurrent vision. This was of the afternoons in winter when— bundled to the ears, the baby-carriage joggling bravely in the van and the melancholy beagle scampering at their heels—they took their Sunday stroll. On such days the city, its frantic heartbeat quieted and clothed in the sooty white tatters of a recent snow, seemed to have an Old World calm, and the people that passed them in the twilight appeared to be, like themselves, pink-cheeked and contented, no matter what crimson alarms flowered at the newsstands or what evil rumors sounded from distant radios. For Culver the waning Sunday light had not spelled out the promise of Monday morning's gloom but of Monday's challenge—and this was not because he was a go-getter but because he was happy. He was happy to walk through the chill and leafless dusk with his wife and his child and his dog. And he was happy to return Hometo warmth and peanut butter and liverwurst, to the familiar delight of the baby's good-night

famous angel painting

famous angel painting
  未等我回答,中间那少年哈哈一阵大笑,态度很是傲慢的说道:“原来你便是那卑奴——,这可真是冤家路窄呀!” 这一句极是无礼,我气上心头,即便你出身高贵,瞧不起我等卑微下人,也不可当着面羞辱他人。

famous frida kahlo painting

famous frida kahlo painting

Wednesday, May 7, 2008

leonardo da vinci last supper painting

leonardo da vinci last supper painting
  “我说放了他。”周泰虎目圆瞪,一付要吃人的样子。见老大发火,这几个碰了一鼻子灰的家伙连忙放开了我,其它在旁帮腔叫喊的见事情有点不对劲,欢呼声也弱了下来。  我一次次的挣扎着,终于让自已重新站了起来,只是左胁处的疼痛象针扎一般,估计胁骨已断了好几根,我真想躺倒在地上再也不想爬起来,可是,我不能,我虽然输了这场比试,但我绝不能输掉自已的尊严。

China oil paintings

China oil paintings
对“灰色恶魔”和“吸血鬼”成员而言,中国湖的上空也不全是快乐的蓝天白云。由于测试任务的高危险性,中国湖上空空难频发。据统计,自两个中队进驻以来,中国湖上空总计发生了126起大小事故, 26名试飞员丧生,受伤者多达200余人。最近一次严重事故发生在2005年,当时2名“吸血鬼”成员驾驶F/A-18战机在执行测试任务时发生相撞,一名飞行员获救,一名飞行员失踪。

Monday, May 5, 2008

Gustav Klimt Painting

Gustav Klimt Painting
说真的,和韩国人交往,我总觉得韩国人很奸很滑,好像处处要防着你点。这个和韩国人历史上常被人欺负有关系。一个杯弓蛇影的民族。韩国 一个依托美国的小丑 等美国经济再下滑点就处理高丽睦邻友好是我们外交的基本立足点,中亚各国、南亚各国,以及印巴韩日四个亚洲大国,还有俄罗斯,一个稳定、友好的周边环境,是我们发展的基石,搞好和这些国家的关系对我们来说很重要。合作互利对大家都很重要,各国的政治家们清楚着呢,他们也有责任、有智慧,也有能力维护这些关系。
[ 转自铁血社区 ]

Sunday, May 4, 2008

art deco painting

art deco painting

The Singing Butler

The Singing Butler

Van Gogh Sunflower

Van Gogh Sunflower
编者按,4月29日,环球网开始连载在我空军工作的余爱水博士的《军事与经济互动论》一书中的精彩章节,文章题为《美国实际已经宣战 中国唯有大力发展军力》,5月2日晚,凤凰卫视的《新闻今日谈》节目中凤凰卫视著名军事节目主持人马鼎盛先生对书中观点发表了自己的看法,近日有我军军官来稿,对马鼎盛先生的观点表达了不同的看法。来稿全文如下:



thomas kinkade painting

thomas kinkade painting