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Having mounted beside her, Alec d'Urberville drove rapidly along the crest of the first hill, chatting compliments to Tess as they went, the cart with her box being left far behind. Rising still, an immense landscape stretched around them on every side; behind, the green valley of her birth, before, a gray country of which she knew nothing except from her first brief visit to Trantridge. Thus they reached the verge of an incline down which the road stretched in a long straight descent of nearly a mile. ¡¡¡¡Ever since the accident with her father's horse Tess Durbeyfield, courageous as she naturally was, had been exceedingly timid on wheels; the least irregularity of motion startled her. She began to get uneasy at a certain recklessness in her conductor's driving. ¡¡¡¡`You will go down slow, sir, I suppose?' she said with attempted unconcern. ¡¡¡¡D'Urberville looked round upon her, nipped his cigar with the tips of his large white centre-teeth, and allowed his lips to smile slowly of themselves. ¡¡¡¡`Why, Tess,' he answered, after another whiff or two, `it isn't a brave bouncing girl like you who asks that? Why, I always go down at full gallop. There's nothing like it for raising your spirits.' ¡¡¡¡`But perhaps you need not now?' ¡¡¡¡`Ah,' he said, shaking his head, `there are two to be reckoned with. It is not me alone. Tib has to be considered, and she has a very queer temper.' ¡¡¡¡`Who?' ¡¡¡¡`Why, this mare. I fancy she looked round at me in a very grim way `just then. Didn't you notice it?' ¡¡¡¡`Don't try to frighten me, sir,' said Tess stiffly. ¡¡¡¡`Well, I don't. If any living man can manage this horse I can: - I won't say any living man can do it - but if such has the power, I am he.' ¡¡¡¡`Why do you have such a horse?'
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famous picasso pablo painting
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