canvas painting

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　　 HOWEVER small Elinor's general dependence on Lucy's veracity might be, it was impossible for her, on serious reflection, to suspect it in the present case, where no temptation could be answerable to the folly of inventing a falsehood of such a description. What Lucy had asserted to be true, therefore, Elinor could not, dared not, longer doubt; supported as it was, too, on every side by such probabilities and proofs, and contradicted by nothing but her own wishes. Their opportunity
oil paintingof acquaintance in the house of Mr. Pratt was a foundation for the rest, at once indisputable and alarming; and Edward's visit near Plymouth, his melancholy state of mind, his dissatisfaction at his own prospects, his uncertain behaviour towards herself, the intimate knowledge of the Misses Steele as to Norland and their family connections, which had often surprised her, the picture, the letter, the ring, formed altogether such a body of evidence as overcame every fear of condemning him unfairly, and established as a fact, which no partiality could set aside, his