Avtandil The Grand Opera painting
Pino Angelica painting
Picasso Two Women Running on the Beach The Race painting
Manet Two Roses On A Tablecloth painting
returned to a seat a few paces from the dancer, and took the head of the goat upon his knee. This man appeared to be the companion of the gipsy girl. Claude Frollo, from his elevated position, could not distinguish his features.
No sooner had the Archdeacon caught sight of this individual, than his attention seemed divided between him and the dancer, and his face became more and more overcast. Suddenly he drew himself up, and a tremor ran through his whole frame. “Who can that man be?” he muttered between his teeth; “I have always seen her alone hitherto.”
He then vanished under the winding roof of the spiral staircase, and proceeded to descend. As he passed the half-open door of the belfry, he saw something which made him pause. It was Quasimodo, leaning out of an opening in one of the great projecting slate eaves and likewise looking down into the Place, but so profoundly absorbed in contemplation that he was unaware of the passing of his adopted father. His savage eye had a singular expression—a mingled look of fondness and delight.
“How strange!” murmured Claude. “Can he too be looking at the Egyptian?” He continued his descent, and in a few moments the troubled Archdeacon entered the Place by the door at the bottom of the tower.