Tuesday, August 19, 2008

Thomas Kinkade Graceland painting

Thomas Kinkade Graceland paintingThomas Kinkade Fisherman's Wharf painting
He had heard the explosion himself. They had been eating at their own chow-line in a command post set up in a grove of trees, when the noise came from off to the right, distant enough but still too close: a twin quick earth-shaking sound—crump crump. Then seconds later in the still of noon when even the birds had become quiet and only a few murmured voices disturbed the concentration of eating, a shudder had passed through the surrounding underbrush, like a faint hot wind. It was premonitory, perhaps, but still no one knew. The leaves rustled, ceased, and Culver had looked up from where he squatted against a tree to see fifty scattered faces peering toward the noise, their knives and forks suspended. Then from the galley among the trees a clatter broke the silence, a falling pan or kettle, and someone laughed, and the Colonel, sitting nearby, had said to the Major—what had he said? Culver couldn't remember, yet there had been something uneasy in his tone, even then, before anyone had known, and at least ten minutes before the radio corporal, a tobacco-chewing clown from Oklahoma named Hobbs, came trotting

3 comments:

Anonymous said...

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