Tuesday, October 28, 2008

Gustav Klimt The Bride painting

Gustav Klimt The Bride paintingGustav Klimt Hope paintingClaude Monet The Seine At Argenteuil painting
there had been more than a few migrants aboard, yes, quite a quantity of wives who had been grilled by reasonable, doing-their-job officials about the length of and distinguishing moles upon their husbands' genitalia, a sufficiency of children upon whose legitimacy the British Government had cast its everreasonable doubts -- mingling with the remnants of the plane, equally fragmented, equally absurd, there floated the debris of the soul, broken memories, sloughed-off selves, severed mothertongues, violated privacies, untranslatable jokes, extinguished futures, lost loves, the forgotten meaning of hollow, booming words, _land_, _belonging_Knocked a little silly by the blast, Gibreel and Saladin plummeted like bundles dropped by some carelessly open-beaked stork, and because Chamcha was going down head first, in the recommended position for babies entering the birth canal, he commenced to feel a low irritation at the other's refusal to fall in plain fashion. Saladin nosedived while Farishta embraced air, hugging it with his arms and legs, a flailing, overwrought actor without techniques of restraint. Below

2 comments:

Chinese oil painting said...

Classical nature, Decorative landscape and its method of implementation of the Greco-Roman period have laid a solid foundation for the visual, and the Renaissance to a more traditional, to a multi-faceted approach to the structure of rational norms.


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